Lillith sat for a long minute in quiet, considering. She thought his story might be personal and felt, then, that it would be easiest to translate the medium using a story that was personal to her, as well.
The day that Vox Machina saved her from the Broker came to mind, but it felt too large for a first effort and confusing for which pieces to include and how to make the 'panels'. Instead, when her charcoal (she chose her own rather than his pencils for comfort) began its first arcs across the page, she realized she had chosen Beatrycze's story instead.
The first panel came instantly, a closed door with the sound bubble showing sobbing from behind it. The door loomed, crooked and evil and cruel like all dungeon doors in Palac Lusterka, and there were no people in the image. That seemed important to Lillith, that there was fear and sorrow and no one to know or care. Also, it seemed important because it would make her surprise in the next panel more powerful.
Re: Lillith & Mack
The day that Vox Machina saved her from the Broker came to mind, but it felt too large for a first effort and confusing for which pieces to include and how to make the 'panels'. Instead, when her charcoal (she chose her own rather than his pencils for comfort) began its first arcs across the page, she realized she had chosen Beatrycze's story instead.
The first panel came instantly, a closed door with the sound bubble showing sobbing from behind it. The door loomed, crooked and evil and cruel like all dungeon doors in Palac Lusterka, and there were no people in the image. That seemed important to Lillith, that there was fear and sorrow and no one to know or care. Also, it seemed important because it would make her surprise in the next panel more powerful.