Liz Parker (
st_hotflashes) wrote in
strangetrip2018-01-18 10:09 am
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Entry tags:
A Lesson in Frustration (OTA)
Liz was enjoying the various people offering her lessons. The Inn gave her a unique opportunity to be exposed to a variety of subjects she wouldn't normally take back home. Back home she had her eyes on a science degree in university. Here, she decided to ask Piotr to teach her some art. Liz was under no illusion that she would be good at it, but she thought it might be something nice to practice when Kitty was busy or she had read all that she could read.
For her first lesson, she was supposed to draw the hallway in perspective. When she had originally reached for a ruler to measure and be precise, he had said it wasn't allowed. So now, she was out in the hallway with a pad of paper and some pencils and an eraser. She sat on the end of the hallway with her back to the wall, trying to sketch what she saw down the hallway. There was a look of frustration and a lot of sighing and erasing.
(ooc: Find her in any hallway that's convenient for your pup if you like.)
For her first lesson, she was supposed to draw the hallway in perspective. When she had originally reached for a ruler to measure and be precise, he had said it wasn't allowed. So now, she was out in the hallway with a pad of paper and some pencils and an eraser. She sat on the end of the hallway with her back to the wall, trying to sketch what she saw down the hallway. There was a look of frustration and a lot of sighing and erasing.
(ooc: Find her in any hallway that's convenient for your pup if you like.)
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"Um... Okay, Yeah. Sure. It's - I just started and Piotr said I wasn't allowed to use a ruler or anything so..." She awkwardly handed over the pad. There was a sketch of the hall in pencil that had a lot of faint erased lines. The hallways lines themselves were okay, though a little wobbly. Liz was having trouble figuring out how to make the doors look in perspective as well while all being appropriately proportionate.
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"Yeah," Peter agrees, still looking down at it. "It's tough. I like using a ruler or a compass for stuff like this just because I like it to be accurate."
Still holding the notebook, he looks over at Liz. "I know it might not help much, but I -- I could give you some feedback, if you think -- if you think it might help."
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When he spoke, she was surprised it wasn't overly negative. "Oh, uh, yeah, sure. I mean. I already know not to quit my day job so..." She tried to joke awkwardly although a little part of her was worried he was going to say maybe she was better off sticking to science.
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It just always helped him when he was stuck on something to have someone else give him feedback. Sometimes they were able to see things he wasn't after hours or days of working on the same thing. And while he can't certain that Liz functions the wrong way, it's worth a shot.
Peter looks back down at the picture. "Okay," he says, tracing a finger down one of the lines of the hallway. "The tops of these doors should be coming down at the same angle as the floor below it. You almost got it on this side of the hallway, but they look a little less sure on this side." He runs a finger along the other side of the hallway. "My Aunt May always told me that if you want to draw a straight line, you need to just do it quickly. If you get slow about it, it's gonna be way less straight. I don't really know how that works out, but it does."
Aunt May was really into art.
"If you do it lightly, you can always erase it if it doesn't look right. And if you want, you can always do a couple of lines, one after the other to see which one you like best and erase all the others." It also helped to have a basis of comparison.
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The suggestions that Peter started giving made a lot of sense as she followed his fingers at he talked. He said he wasn't good at art, but he had a lot of good advice. She took in all of his suggestions as he gave them, nodding and thinking about how to apply them right away. "Wow. That's - really helpful. I never thought to do lines quickly." Liz had always sort of associated speed with accuracy.
"Are you, Are you sure you haven't taken any art before? Because it sounds like you're, like you know a lot." And the fact he hadn't said anything judgmental made her feel more confident. Even Alex would have ribbed her a bit for this type of drawing.
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He points down at the lines. "All that stuff about the lines -- I only really know that because I had to do a lot of physics grafting on the fly. I didn't always have a ruler or a compass on me when the answers suddenly hit."
That happened a lot when he was developing the webslingers, and tried to figure out the whole physics of swinging without crashing head-first into a building. That didn't really happen anymore. As much, anyway.
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"Do you, um. Do you still take videos here? Do you have any on your phone?" Liz paused, then blushed. "Not to sound... really lame, or whatever, but, um. My phone is. It's not like yours since your, from the future."
Meekly she pulled out from her back pocket a flip phone with very basic texting ability and nothing else, not even the web.
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"Oh wow, I don't think I've ever seen one of those things in-person." Sure, in old movies, but that was totally different. The only time you actually saw anyone use it was when they held it up to their ear like a normal phone.
"Can I see it?"
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"Oh. Uh-yeah, sure." She held it out to him. She knew that in the future cellphones would be a lot better, but she had no idea. The idea that it would have a video seemed amazing and she was very interested in seeing what that looked like too.
"It's, um. It's not an expensive one. My parents are, well they're practical. But... I'd like to, I mean if you're okay with it, uh, see one of your videos sometime."
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Peter flips it open, examining it. Then suddenly, his head swings to face Liz. "Did you -- Did you seriously have to press 7 times to get a single S?"
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"Yeah, I mean... well, there's a little keyboard that appears on a screen and you just type directly there. You can even toggle between different keyboards, so there's a separate keyboard for just special characters."
He snaps the phone shut and passes it over to Liz. "I still think it's interesting," he says. "It's weird seeing how much we progressed in phone technology in fifteen years. In 1900, there was like... half a million people using old-school landline phones. Now, everyone's wandering around with little portal versions of them in their pocket."
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"I get the feeling if I was suddenly in the future I'd, um, suck at everything." Liz laughed softly. "I must sound totally lame. Like how my mom is when I talk to her about stuff she doesn't understand."
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"I actually haven't really tried using the computers," Peter admits. "I mean -- it's not like I don't like computers, just... most of what I'd use it for, like talking to people just -- it's just not a thing here." It was a lot like his phone in that regard.
But before Liz can get too self-depreciating, Peter cuts in. "N-no, not at all. Just because you don't know the tech doesn't mean you won't know how to use it once you're actually in the future. I mean, everything takes practice for you to get used to it."
Peter gestures down at the drawing. "This, too. I mean, you might not have it down now, but you are gonna have it down eventually."
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"Hopefully at least good enough to make Piotr proud. He's... a really nice guy. I'd like to at least make his effort worth while, you know?"
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Not that he could ever imagine being on the polar opposite end of a fight with a guy that nice, though. Though to be fair, he'd assumed the same about Captain America, who was also of similar built, and from Peter's limited personal contact with him and far extensive understanding of him from various media, including interviews, video recordings, and biographies, probably of similar disposition.
Peter hands the drawing pad back to Liz. "I'm sure he'll be proud. I mean, if I were your teacher--" He presses his lips together. "--I'd be proud, too."
Immediately after the words leave his mouth, Peter wishes he could dissolve into a puddle of goo and slip through the cracks in the floorboards. Why did he just say that? Why did he have to be so bad at this?
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Liz had not been prepared for such a comment and it pulled red onto her cheeks. She smiled sheepishly, looking down at the drawing pad for a minute to help her get a sense of things before she looked up again. The blush was still there and so was the smile, but the initial surprise has subsided. "Thank you. That's, um, that's actually a really nice compliment so. Thank you." Her smile widened just a little as if to help reassure.
"Oh! I still haven't forgotten about your promise to show me that substance you made so, you know, at some point maybe you -can- teach me a few things."
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"Yeah," Peter nods, agreeing. "And maybe while we're here you can help me figure out some way to improve it. I mean, the fluid works as-is just fine, but there's always room for improvement." He swallows. "And, well, sometimes there's just stuff you miss or don't think of that a second set of eyes can put together almost immediately."
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"Makes me kind of wish I had something to solve from back home so I could get help" Her smile widened a little as she made the little joke. It was true, though, and there had been several times her problems could have been solved by new eyes.
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Peter isn't resigned, exactly, but it's not like he has something that he can definitively point to as The Act That Needs to Be Completed to Solve Said Problem, either.
However, that does bring something else to mind.
"Next time the portal opens, you want to go together?" Peter asks, only realizing afterwards how his invitation might be construed. It's not like he would mind if Liz considered it a date because they didn't really have any date-like place to go to at the Inn, except maybe the restaurant, which didn't feel really date-like since they all ate there already. Instead, he quickly scrambles for cover: "I mean, it'd be good life-drawing practice for you to be able to see other things in other places and - well. And, well, draw them."
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"Yeah," he says, a little quieter now. "Me too."
A momentary silence falls between them after that, and Peter for once, doesn't feel the urgent need to fill it all with something. When he finally speaks again, it's to ask Liz a question.
"When's the assignment due?" he asks. "I'd like to see it when it's done, if you don't mind showing it to me."
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She didn't think there was, really, but it would definitely feel reassuring if he said there was improvement before she showed it to Piotr. She wanted to impress the man. He was so nice and all.
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"But... do you feel any more satisfied than you did a few minutes ago?"
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"Actually... yeah. I guess I kind of am." She looked up with an expression that seemed a little more relaxed about the whole thing. "Thank you, Peter. You're -- Well, I'm, really glad you're here." Since meeting him the Inn seemed a lot less daunting and maybe just a tiny bit normal, if that were possible.
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